![]() After a few days' use, I found myself referring to the on‑line help instead which, although not context‑sensitive, was nevertheless welcome. MIDIQuest and its instrument drivers are supplied on two 3.5‑inch 1.4Mb disks with a 60‑page manual, which is adequate, if not exactly brimming with detail. You need a MIDI interface too, naturally). (See box for full list.) It is the Windows 3.1 version that we're looking at here, but most of the features apply to all platforms (the program will work on any PC capable of running Windows 3.1 but, of course, runs better on bigger machines with oodles of RAM. is just such a 'front end', and is available for DOS, Windows, Atari, Amiga and Mac formats, providing a universal editor, database and librarian for 160 instruments, effects units and other MIDI doobries. Don't you think you might be tempted to create a few sounds of your own if you could only grab hold of some knobs and sliders? MIDIQuest version 4 from Sound Quest Inc. ![]() Imagine if there were a way to access all your instruments via a common, friendly interface, one which remained constant even as synths came and went in your setup. With a whole rack of single‑unit modules, each with a tiny LCD and, perhaps, a dozen or less buttons, you can find yourself spending a lot of time learning the programming styles of a number of manufacturers and scrolling through zillions of subtly different pages by prodding a button the size of a gnat's kneecap. But what if you have more than one synth - surely it's going to cost a fortune to buy an editor for each? Not necessarily, as Paul Nagle finds out.Īs synths grow more complex, paradoxically they seem to grow smaller and less accessible. A synth editor program for your computer can expand your synthesis horizons and encourage you to discard those presets in favour of original creations.
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